Alma-Tadema, Sir Lawrence
b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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Alma-Tadema, Sir Lawrence Pheidias and the Frieze of the Parthenon Athens (mk24) oil painting


Pheidias and the Frieze of the Parthenon Athens (mk24)
opus LX 1868 Oil on panel 28 3/8 x 43 1/2 in/72 x 110.5 cm Birmingham Museum and Art Gallery
Painting ID::  23015
Alma-Tadema, Sir Lawrence
Pheidias and the Frieze of the Parthenon Athens (mk24)
opus LX 1868 Oil on panel 28 3/8 x 43 1/2 in/72 x 110.5 cm Birmingham Museum and Art Gallery
   
   
     

Alma-Tadema, Sir Lawrence Joseph Overseer of Pharoah's Granaries (mk24) oil painting


Joseph Overseer of Pharoah's Granaries (mk24)
opus CXXIV 1874 Oil on panel 13 x 17 in/33 x 43.2 cm Private collection
Painting ID::  23016
Alma-Tadema, Sir Lawrence
Joseph Overseer of Pharoah's Granaries (mk24)
opus CXXIV 1874 Oil on panel 13 x 17 in/33 x 43.2 cm Private collection
   
   
     

Alma-Tadema, Sir Lawrence A Hearty Welcome (mk24) oil painting


A Hearty Welcome (mk24)
Opus CXZ 1878 Oil on canvas,12 x 36 1/2 in/30.5 x 92.7 cm Ashmolean Museum,Oxford
Painting ID::  23017
Alma-Tadema, Sir Lawrence
A Hearty Welcome (mk24)
Opus CXZ 1878 Oil on canvas,12 x 36 1/2 in/30.5 x 92.7 cm Ashmolean Museum,Oxford
   
   
     

Alma-Tadema, Sir Lawrence Strigils and Sponges (mk24) oil painting


Strigils and Sponges (mk24)
Opus CXCVII 1879 Watercolour,12 1/2 x 5 1/2 in/31.8 x 14 cm The British Museum,London
Painting ID::  23018
Alma-Tadema, Sir Lawrence
Strigils and Sponges (mk24)
Opus CXCVII 1879 Watercolour,12 1/2 x 5 1/2 in/31.8 x 14 cm The British Museum,London
   
   
     

Alma-Tadema, Sir Lawrence The Parting Kiss (mk24) oil painting


The Parting Kiss (mk24)
Opus CCXL 1882 Oil on panel 44 1/2 x 29 in/113 x 73.7 cm Private collection
Painting ID::  23019
Alma-Tadema, Sir Lawrence
The Parting Kiss (mk24)
Opus CCXL 1882 Oil on panel 44 1/2 x 29 in/113 x 73.7 cm Private collection
   
   
     

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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